If you’re wondering what Thomas Dolby has done in the two decades since he cunningly fused pop and electronic music, the answer is in the palm of your hand. Twelve years ago Dolby left music and proceeded to develop the Beatnik software technology used in two-thirds of the world’s cell phones. Unlike many performers who return to the stage, he doesn’t need to do it for the money. Pumped up by new technologies and changing business models in the music industry, and re-invigorated by reaction to his initial tour dates earlier this year, Dolby is writing his first album of new music since the early ‘90s.